6/3/2023 0 Comments Seattle opera gala![]() ![]() Marissa has been selected to participate in masterclasses with Noah Baetge, Randall Bills, Markus Brück, Mark Calkins, John Hoomes, John Keene, Cynthia Lawrence, David “DQ” Lee, Marco Nisticò, Jennifer Rowley, and Elizabeth Zharoff. In 2021, Marissa was a finalist in the Camerata Bardi International Vocal Competition. Marissa has received Encouragement Awards at the 2018, 20 Metropolitan Opera National Council Auditions. Past full production engagements include Donna Elvira in Don Giovanni, the Title Role in Rusalka, Tatyana in Eugene Onegin, First Woodsprite in Rusalka, Gretel in Hänsel und Gretel, Fiordiligi in Cosi Fan Tutte, Countess Almaviva in Le Nozze di Figaro, Pamina in Die Zauberflöte, Donna Anna in Don Giovanni, Dido in Dido & Aeneas, the Title Role in Suor Angelica, and Minerva in Orpheus in the Underworld.Īn active participant in vocal competitions, Marissa has been a finalist in the Pasadena Vocal Competition, a semi-finalists in the James Toland Vocal Arts Competition, and was the winner of the First Annual Angela Meade Vocal Competition. Marissa also made her professional New York City debut with New York Lyric Opera Theatre in the 2020 season, returning to the title role in Suor Angelica. ![]() Last season, Marissa was a Young Artist at The Eurasia Festival, where she was meant to return to the role of Donna Anna in Mozart’s Don Giovanni. & Aeneas, as well as studying Micaela in Carmen and Adina in L’elisir d’amore. Marissa will additionally be covering Giannetta in L’elisir d’amore and Second Woman in Dido Marissa will then be an Apprentice Artist at Palm Beach Opera during theirĢ021/2022 season, performing Olga in The Merry Widow and the Spirit in Dido & Aeneas. In Missy Mizzoli’s The Listeners, as well as excerpts of Mimi from La Bohème for the Seattle Opera Guild. This season, Marissa begins with Claire Devon Award-Winning American Soprano Marissa Mischelle Moultrie is an active performer of opera, art song, concert works, and new compositions.
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